








The
Guardsman Project is now completed!
But the
first edition of 30 copies is already exhausted. A second edition is planned;
see below, and email if you wish to reserve a copy. You will not be under any
obligation.
FOR CORRECTIONS AND ADDITIONS, click here


Yes, the
relatively complete listing of the fascinating British label Guardsman, and its
precursor Invicta, which spanned the years 1912 – 1928, is finally available in
book form, as you see below:

It consists of 204
A4-size pages, wire bound, and printed on good quality 100 gsm paper. It has 12
pages of label illustrations in full colour, plus a rare photograph of the
bandmaster of H. M. Irish Guards Band, Mr. C. H. Hassell (later Captain
Hassell). A portrait of him, made circa
early 1912, was almost certainly the origin of the label name ‘Guardsman’. It
was painted by Francis Barraud, who had earlier created the immortal ‘His
Master’s Voice’ image. Francis was the brother of William Barraud, original
proprietor of Invicta and Guardsman records. There is supporting text by Steven
Walker, Mike Thomas, Michael Aylward and Joe Moore; and more than enough from
myself. 8^) I would point out that I was merely the typist and general factotum of the Project, and did not
wish my name to appear on the front cover: but Frank Andrews insisted that it
did. Editorial prerogative was exercised, by making my name smaller.

Besides Artiste
and Title indexes, the book also has an accompanying CD-ROM. This contains 46
pages of expert comment by the renowned discographer Frank Andrews, on the
origins and evolution of the labels together with company history. These appear
by permission of the CLPGS* and Frank. In addition, you have the MS Excel
database from which the book was compiled: this enables you to instantly search
the data, and sort it in different ways. Also, images of three Guardsman
catalogues (which are of extreme rarity) are included, plus all the record labels
which appear in the book along with additional illustrations. Had all this been
incorporated in the book itself, it would have become far larger and more
expensive.
Nevertheless, even
though it is a fascinating book, it is also an esoteric one; so only 30 copies
have initially been printed. It was launched at the CLPGS Convention in
To
reserve your copy, simply email: guardsman@normanfield.com
Please do not send a PayPal remittance to the above email
address; (a) it is not my PayPal address and (b) there may be no copies left – though
a second printing will be made if necessary. Just email to reserve a copy, and
I will reply, giving you the address to which to send your PayPal remittance,
or for that matter your cheque, which will be equally fine – please make out a
cheque, payable to Norman Field, for £23.50, and send it to me at 65 Tedstone
Road, Quinton, Birmingham B32 2PB. For orders to world-wide destinations,
please email the above address for a quote on International Small Packet Air
Mail. (Ball-park figures for the U.S.A., Australia & Japan are £12.50
(~US$20). The book itself is ~US$32).
****************************************************************
The listing is only about 85% complete. There are still a lot of
total gaps in it. These are as follows:
2-4; 6-14; 18; 20; 23-28; 30; 32-34; 37; 39-42; 45; 48; 50-51;
53-54; 56; 60; 63-71; 74-77; 79-82; 85; 87; 91-93; 101-103; 107; 109; 111; 119;
123-124; 128-130; 132; 135; 137; 143-145; 150; 158-159; 164; 168; 171; 180;
185-191; 524-5; 619; 627; 633; 637; 639; 643; 648-649; 659-662; 664-665;
697-698; 700-703; 716; 965-966; 1113-1116; 1150; 1155-1156; 1158-1159; 1164;
1168-1169; 1190-1194; 1196; 1199; 1206-1207; 1209; 1217-1219; 1222; 1229;
1232-1233; 1236; 1239; 1241; 1246-1248; 1253-1256; 1258-1261; 1263-1264; 1270;
1277; 1279-1280; 1284; 1286; 1292-1293; 1298-1299; 1302-1303; 1305; 1307;
1322-1325; 1329-1220; 1338-1339; 1347; 1352; 1356; 1360; 1362; 1365; 1369-1370;
1375; 1381; 1384; 1391; 1394; 1404-1405; 1410-1413; 1418; 1424; 1484;
1632-1633; 1635; 1638; 1640; 1642; 1644-1646; 1649-1650; 1652-1653; 1655-1657;
1661-1662; 1664-1666; 1673-1676; 1678; 1681-1682; 1686; 1688-1690; 1692;
1694-1695; 1706; 1709; 1786-1787; 1789; 1793; 1814; 1820; 1881; 1909; 2078;
2108; 2112; 2120; 2124; 2129-2131; 2134.
…so it goes without saying that if you have any of the above
Invictas or Guardsmans in your collection – or even if they are lying in a
‘junk-pile’ in your garage, please let us know, as complete details of these
will be very welcome. You will receive credit in any future printing.
Apart from the ‘complete
gaps’ there are of course many hundreds of missing master numbers &c. So if
you can spare the time, just send the catalogue numbers of any Invicta and/or
Guardsman records in your collection. If we need any info. from them, I will
email you asking for it. Again, you will be credited.
Besides the regular 10" 1 – 2140 series, there are several
other series. At least 115 12" Invicta and Guardsman issues, running from 2001
to 2115 were also issued. We have artist and title details for all these, but
incredibly, master/control numbers for only a tiny handful of them. So… if you
have any 12" discs, please let us know.
Also, do you have any of the 6000, 6750, 7250, 8000, N-8250 and
N-8500 series Guardsman discs? These are Jewish, Russian-Jewish, Polish and
Welsh recordings, many of which seem to come from American Vocalion, though the
Welsh ones are from Aco. If so, please tell us; we have details of about 15 or
20 of them, but need more, please. And just to round off this page in a rather
surreal way, Guardsman, in one of their rare printed catalogues, dated 1927,
informed us that:

Well, that’s fine: Hebrew-Jewish, Polish, Russian and Welsh
issues are definitely known, each with their own catalogue series. However, as
yet, no Danish Guardsman records have surfaced. Does this mean there weren’t
any? Not at all: I really think they’re out there, quite definitely! The more I
learn about Guardsman, the more I marvel at the things they did. If you have a
Danish Guardsman, please do share it with us? All your information will be duly
credited to you in any reprint of the book.
Please email anything on the above, to: guardsman@normanfield.com
Many thanks.
* CLPGS is an abbreviation for the City of London Phonograph and
Gramophone Society. It has just celebrated its 90th anniversary, and is de facto our National Society for
Cylinder Phonographs, Disc Gramophones, and the media for playing on them. It
has a world-wide membership, and produces an excellent quarterly magazine ‘For
The Record’. The Society has also published many label listings and other books
over the years; many are still available. The subscription to the CLPGS is very
modest. Why not join? If you have any interest in any of these matters, you
should certainly check out the website:
Page
written 3rd December 2009.
Revised
28th March 2010.
Revised
26th October 2010.